An overarching Companion to Cultural Studies will map the territory as a whole. Each volume sets out to ground and orientate the student through a broad range of specially commissioned articles and also to provide the more experienced scholar and teacher with a convenient and comprehensive overview of the latest trends and critical directions.
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An Essay in Comparative Narratology.Ħ Adaptation and Mis-adaptations: Film, Literature, and Social Discourses.ħ The Invisible Novelty: Film Adaptations in the 1910s.Ĩ Italy and America: Pinocchio’s First Cinematic Trip.ĩ The Intertextuality of Early Cinema: A Prologue to Fantômas.ġ0 Cosmopolitan Projections: World Literature on Chinese Screens.ġ1 The Rhetoric of Interruption.ġ2 Visualizing the Voice: Joyce, Cinema, and the Politics of Vision.ġ3 Adapting Cinema to History: A Revolution in the Making.ġ4 Photographic Verismo, Cinematic Adaptation, and the Staging of a Neorealist Landscape.ġ5 The Devil’s Parody: Horace McCoy’s Appropriation and Refiguration of Two Hollywood Musicals.ġ6 The Sociological Turn of Adaptation Studies: The Example of Film Noir.ġ7 Adapting Farewell, My Lovely.ġ8 Daphne du Maurier and Alfred Hitchcock.ġ9 Running Time: The Chronotope of The Loneliness of the Long Distance Runner.Ģ0 From Libertinage to Eric Rohmer: Transcending “Adaptation”.Ģ1 The Moment of Portraiture: Scorsese Reads Wharton.Ģ2 The Talented Poststructuralist: Hetero-masculinity, Gay Artifice, and Class Passing.Ģ3 From Bram Stoker’s Dracula to Bram Stoker’s “Dracula”.Ģ4 The Bible as Cultural Object(s) in Cinema.Ģ5 All’s Wells that Ends Wells: Apocalypse and Empire in The War of the Worlds.Īdvisory editor: David Theo Goldberg, University of California, Irvine This series aims to provide theoretically ambitious but accessible volumes devoted to the major fields and subfields within cultural studies, whether as single disciplines (film studies) inspired and reconfigured by interventionist cultural studies approaches, or from broad interdisciplinary and multidisciplinary perspectives (gender studies, race and ethnic studies, postcolonial studies). DeMille to Nicholas Ray.Ĥ Transécriture and Narrative Mediatics: The Stakes of Intermediality.ĥ The Look: From Film to Novel. Variety‘s Caroline Framke called “Survivor’s” handling of the original allegations of improper behavior “downright insulting, and a baffling display of the show’s inability to grasp the gravity of what happened on its watch.Robert Stam Alessandra Raengo.ġ Novels, Films, and the Word/Image Wars.Ģ Sacred Word, Profane Image: Theologies of Adaptation.ģ Gospel Truth? From Cecil B. The latest decision to remove Spilo occurred 14 days after his citation.
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They have full access to producers and doctors, and the production will intervene in situations where warranted.” At the same time, all castaways are monitored and supervised at all times. On ‘Survivor,’ producers provide the castaways a wide berth to play the game. A formal warning was also given to the male castaway in question. “During the filming of this episode, producers spoke off-camera to all the contestants still in the game, both as a group and individually, to hear any concerns and advise about appropriate boundaries. “In the episode broadcast last night, several female castaways discussed the behavior of a male castaway that made them uncomfortable,” CBS and producers said in a statement following Spilo’s warning. My thoughts on tonight's episode of and Dan Spilo's removal for another incident of inappropriate touching.
“What is most important now,” she continued, “is how all of us - CBS, ‘Survivor,’ other organizations, and all of us individuals - decide to learn from this story and take action.” “CBS and ‘Survivor’ were on notice of Dan’s behavior from the very first days of the game.I’ve continued to feel disappointed by how this pattern of behavior was allowed to occur for so long.” “I wish that no one else had to be subjected to this type of behavior,” she wrote. Kim posted a statement on Twitter following news of Spilo’s removal, expressing her disappointment and dismay that Spilo was allowed to continue on the show and harass others after CBS and “Survivor” were made aware of his behavior.
Following a fumbling response in which producers told Kim to speak to them if Spilo continued to cross the line - despite the fact that she had already made her discomfort with his actions clear - producers issued an official warning to Spilo that he cease his behavior on day 22 of the game.
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